Ode on a Grecian Urn is a delightfully reflective, lyric poem, which contemplates the beauty of static blind with the transience of deportment. Although initially we revelry in the enchanting charm of the urn depicted we understand that subterfuge is eternal in its moment of emotion, and what it gains in its infinite life it also looses with the lack of motion of it being fixed. By tone at the intricate poetic language Keats chooses for this ode we are allowed nettle to the enchanting images of the urn and also into the introspective mood of Keats himself.
The word ode derives from an ancient Greek word meaning song which sets the mood of the piece. We see the art of the urn and also the lamentations and meditations of the poet as having many perspectives like that in a song which hind end display a range of emotions. The ode uncovered with a series of personifications of the Grecian urn, it is a still unravishd bride, a foster-child of silence and a Sylvan historian. These paradoxical images suggest it taking many forms, it can call yet it is silent. This draws attention to the fact it is art, it will remain static, and it is not a moving consciousness. The first two lines are end with commas and a ceasural pause interrupts line 3.
This allows us to consider the truly separate, differing guises of the urn before we move onto yet another metaphor. The fact it is a still unravishd bride adds a duplicity of meaning. Still can be understood as a verb suggesting the urn has the unmoving perfection of a bride. Or it can be understood as an adjective suggesting it is empty and destitute of human emotion being a work of art. Keats uses the ambiguity...
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