Literature Final

br 93Annabel lee 94 stands as one of the nigh nonable 93death 94 songs of the nineteenth century , although it 92s stature is certainly matched by Walt Whitman 92s 93When Lilacs tolerate in the Dooryard Bloom 92d 94 a poetry which uses a fasten along of similar poetic devices except rests upon an entirely various formLike Poe 92s most famous meter 93The Raven 94 his 93other 94 famous poem 93Annabel Lee 94 is steeped in musical diction and meter , with a check toward creating a lyric tension between the dessert and musicalness of the poem 92s meter and form and the more toilsome and peradventure less perfectized potency of the poems base of operationss which is human death rate . By combining technical precision with a theme of magnitude , Poe pursued his policy and prescription for poetic com bushel ion as outlined in his essays 93The Poetic linguistic rule 94 and the 93Rational of Verse 94 93The philosophical system of Composition 94 93the notions of his negligible Philosophy of Composition and The Poetic Principle . Its resources take c be devices . Every effect seems receivable to an expedient . The repetend and the refrain atomic number 18 reliances with him -- not instrumental , but thematic . At least they play rather than grow the effect -- which has therefore something slothful and casual about it 94 (Foerster 239The opening lines : 93It was some and many a course of study ago / In a Kingdom by the ocean 94 signal the intention not entirely to create a musical pattern with words as by the deliberate redundancy of 93many and many 94 but also to posit and idealized world against that of grim reality .

The repetition of many reveals that the ideal time of a 93Kingdom by the Sea 94 has passed and this generates an prompt thematic tensionSimilarly , Whitman 92s poem begins with an evocation of time past 93When lilacs cobblers last in the dooryard bloom 92d /And the great start early dropp 92d in the westward sky in the night 94 In two page -2-poems , the hearkening back toward an idealized time first glimpsed at the poem 92s beginning will recur throughout the luggage compartment of the poem in both imagery and diction : in Poe 92s poem , as an translucent refrain , in Whitman 92s as a series of extended modulations of the original theme with the free-verse poem satiny through many permutations of the original 93lilac-nostalgia 94 imagery . It is worth(predicate) noting that the formality of Poe 92s stanza forms with carefully placed rhyme andenjambment contrasts not only technically , but thematically , with Whitman 92s sprawling free-verse form . The origin carefully predicts the poem 92s ending in the meter , the requisite sway toward a definite conclusion , like tidy sum . The latter(prenominal) 92s form , loosed from metrical and rhyme constraints seems to 93grow 94 rather than honor its inevitable almost mathematically destined endThe technical consequences are obvious : Poe 92s poem will impress itself upon memory some(prenominal) more...If you want to furbish up a full essay, order it on our website: OrderCustomPaper.com

If you want to get a full essay, visit our page: write my paper